The Spindle Jam: A Culture to Believe In

Hip-hop and R&B music have significantly affected each other in recent decades, but the latter has been here for much longer. Much of popular music these days sees a marriage between the genres—we have artists like TLC and Drake, who have helped forge an inseparable relationship between the two.

Contrary to what some may think, “rap” is not a requirement in establishing something as hip-hop. There exists other possible elements, such as DJing and beatboxing. The culture, too, came first, developed by the disenfranchised African Americans during the 1970s—the music then developed out of block parties held in New York City at the time. Eventually, hip-hop spread to other parts of the world, sub-genres and crossovers emerging in the process.

For our new Spindle Jam, we present a look at some records to help you better understand the diverse culture contained around and within this entirely interesting art form. 

Beastie Boys – Paul’s Boutique

Hugely influential, this is a sonically and lyrically diverse album that has since become recognized as the Sgt. Pepper’s of hip-hop. Most of this record is made up of samples.


Public Enemy – It Takes a Nation of Millions to Hold Us Back

Another extremely influential work, the group sought out to create something similar to Marvin Gaye’s What’s Going On, which is a record with strong social commentary. Rapper Ice Cube has said that the album messes with his brain even to this day.


SZA – Ctrl

Although primarily neo-soul, this record still contains a significant hip-hop influence. Originally scheduled for a 2015 release date, American singer-songwriter SZA couldn’t stop working on it, hence its delay. It was only until the label took away her hard drive that the public was graced with this masterpiece.


Drake – Views

Some critics didn’t like this one, preferring his later release, More Life. Give it a chance, though, and you’ll discover the two records to be quite similar.


Wu-Tang Clan – Enter the Wu-Tang (36 Chambers)

Regarded as one of the most significant records of the 1990s and one of the greatest hip-hop albums ever made, you can’t go wrong with this classic debut.


Run-DMC – Raising Hell

The commercial success of this record broke all stereotypes of what hip-hop could and couldn’t be. Includes the iconic song, “Walk This Way.”


Missy Elliott – Supa Dupa Fly

Thanks to this release, Missy “Misdemeanor” Elliot became one of the most recognized female rappers of her time. Not only that, but Supa Dupa Fly also helped define the future of black pop music.


DJ Shadow – Endtroducing…..

This one showcases the instrumental side of the genre—it makes use of mostly sampled content taken from Shadow’s visits to different record shops.


Outkast – Stankonia

This fourth release from the iconic duo is a critically acclaimed hip-hop record employing a multitude of styles, from funk to rave, and from psychedelia to gospel.


Kendrick Lamar – Damn

A record that consistently challenges the status quo. Presenting some of Lamar’s best writing, these songs come from a place of complete and utter disappointment in the world. Let’s not forget how this album contains a lot of easter eggs, too.

For more of this, drop by one of the branches and check out our Vinyl Essentials wall.

Words by Kurvine Chua
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